By Susan Wagner
If you could dream something into being for a particular person in your life, what would it be and who would it be for?
You can pick anyone and any dream, but you must pick up your pen and write without stopping for five to seven minutes. Try to use concrete images and sensory descriptions. Go. Continue reading “Writing and Workshops”
Our next Writers Guild meeting is Sunday, August 20th from 1:30pm to 3:30pm in the Cultural Center (the Red Barn building) on the beautiful grounds of Pearl S. Buck’s historic home at 520 Dublin Road, Perkasie, PA 18944. We welcome all writers and would-be writers to join us at this monthly (from March to October) roundtable discussion.
Bring ten or more copies of a 3 or 4 page selection of your work if you wish to share it for comments. Be sure to include your name and email address on your work for additional feedback.
Bob McCrillis Publishes First Book Continue reading “August Guild News”
(With apologies to Messrs. Chapman and Keats –but I needed a title)
By Bob McCrillis
Always on the lookout for a bargain, I found myself perusing the public domain table at Barnes & Noble. For those unfamiliar with these offerings, they are cheap hardback editions of classics that are no longer protected by copyright priced with the student budget in mind. Continue reading “On First Looking Into Dickens’s Oliver Twist”
By Linda Donaldson
The theme for the Fall 2017 Issue, Volume 2, Number 2, of the Pearl S. Buck Literary Journal is Justice and Mercy. We see a host of possible avenues for writing about justice and mercy — the lack of either virtue OR the presence of either virtue. We include both sides of this theme, for, in Anne Kaler’s words: “If there were perfect justice, we would not need mercy. If there were perfect mercy, we would not need justice.” Continue reading “Fall 2017 Literary Journal Theme is Justice and Mercy”
By Linda Donaldson
Eight Writers Guild members came together this past Sunday for our July meeting. For the benefit of our new member, Holly Odell, we went around the table and introduced ourselves and told about our current writing projects.
It was announced that Sandy Cody, a presenter at PSB Writing Center workshops, and Guild member, sent two links from Authors Publish magazine: First Eleven Literary Journals that Read Submissions Blind (without regard to the author’s identity or previous publishing history). Second, a free PDF The 2017 Guide to Manuscript Publishers.
Anne Kaler congratulated Bob McCrillis on the paperback proof copy he brought of his new collection of short stories published through CreateSpace. Entitled Puckerbrush: Stories of the Journey to Manhood. Bob had just finished rereading and marking the editing changes he plans to make before correcting them and releasing the book for publication. Continue reading “July Guild Meeting Highlights”
By Anne K. Kaler
Writers use patterns the same way that fabric designers use patterns – as guides for their material. (Note the pun there – both use “material” which means it is “of matter” or words.) Writers use the patterns called formulas to make their words conform to an understood, preconceived expectation for the reader.
And readers become intensely annoyed when the pattern/formula/genre is misrepresented. Classic story. The well-meaning children of a church pastor bought him a surprise book – Erskine Caldwell’s God’s Little Acre — thinking that the subject matter was suitable for a man of the cloth. It wasn’t.
So, knowing what the pattern of a book is becomes paramount in the construction of that book. That’s why there are genres or types of books which are classified by the patterns they use. Often times the title itself will suggest enough of the ultimate pattern for me to want to read the book. Continue reading “How to Write Using a Pattern”
By Susan Wagner
Once, in college, I wrote a short story that was published by the school’s literary journal. I was criticized for it, publicly, by a professor I didn’t even know. It was too personal, she said. It was something that should have stayed within the family.
I was shocked by this because it was a piece of fiction. Did it have elements I related to? Of course. Like Stephen King, some things in my life just had to be written or they’d overwhelm me. But I did use the emotions I’d felt to drive me, changing the actual circumstances. This was largely to protect myself. The last thing I ever wanted was for my family to figure out what I was writing about. Continue reading “When Writing What You Know May Be Too Much Reality”