By Linda Donaldson
Our September Guild meeting began with Anne Kaler welcoming a new member, Shelley Craig. The group then began a short round-robin with each of us introducing ourselves and our writing genres.
There are short story authors, poets, essayists, memoir and non-fiction writers, news magazine feature writers, academic writers, and all sorts of novelists – historical romance, mystery, psychological thrillers, fantasy/adventure, and dystopian novels. Something for everyone! Continue reading “September Guild Meeting Notes”
By Bob McCrillis
In a wide-ranging conversation with two other writers for whom I have great admiration, I made the comment that “Most of my stories are set in the turmoil of the Sixties and Seventies. It was a period of great social upheaval, which affected each of us differently. We didn’t all go to Woodstock – regardless of what some would have you believe.”
Both of my friends argued that I was crimping my ability as a writer. Worse, I might be limiting the marketability of my books. The sweeping social changes of the present are having the same uneven effect on ordinary men and women. Writing about their struggles to adjust, triumphs, and failures are worthy of exploration.
“You don’t want to be thought of a guy who just writes about old stuff.” I was told. Continue reading “Specialization: How Much Is Too Much?”
By Bob McCrillis
I admit, I thought the question was a little silly the first time someone asked. Genre, unless you were an English Literature professor, was a euphemism for formula and no one wants their work to be viewed as something written to a formula.
It didn’t take long to discover that the question of genre is critically important to the people who sell books. Readers tend toward books similar to the ones they’ve already read and enjoyed – hence the popularity of a series. If you’re in the business of selling books, knowledge of the preferences of the market is critically important. Continue reading “What Genre Do You Work In?”