By Anne K. Kaler
The June 17th meeting started at 1 pm in the upper area of the red barn. Cindy Louden (chair) and Anne Kaler (instructor) led the meeting where all seven attendees presented their writings which are summarized below.
Notice was given on several new sources for short stories and poems under the BookBaby ads. One of their downloads includes a list from Authors Publish Magazine of 180 journals who accept submissions of poetry and prose. Visit www.authorspublish.com. Continue reading “June Writers Guild Meeting Summary”
The little twist of wire’s utility as a missile in the office or classroom is well known. It also provides raw material for the Zen-like chain making that gets all writers and other office drones through conference calls. It can even, reportedly, be used as a make-shift lock pick. It, oh yes, also holds sheets of paper together.
Symptoms include spending an hour searching for the yellow piece of paper with the title and premise for the story about the Grizzly bear who learned sign language, or the certainty that you’ve already re-written the scene you’re working on, and drawing a complete blank when you try to remember the clever password you came up with for Writers’ Market.
Here’s the situation: Someone had to help my readers understand the progress of the police search for my protagonist. If I had been writing in the third person, it would have been easy – the omniscient narrator could just tell the readers what was going on. Or I could head jump among the characters to keep the reader up to date on the closing loop of the police. Since I was writing strictly from my protagonist’s point of view, someone has to tell him how close the cops are.
Yay! I don’t have to bother with inconsistencies and impossibilities. Well, maybe not so fast. I remember a person complaining that the book he was reading wasn’t accurate. It seems that he was familiar with Paris, where the story took place, and the places and street names were all wrong. “It ruined the whole book for me,” he grumbled.
My internal editor pointed out the many deficiencies of my first twenty-five pages. He delights in bashing my fragile ego, doesn’t ever take a vacation or get laryngitis.
Setting aside the options of running down to the local copy shop, you have two possible choices. Traditional publishing or self-publishing – now called indie publishing.
I diligently took notes on such arcana as story arcs, critical turning points, characterization, and the primacy of points of view. According to the books, my next step — the first that called for actual writing — was to prepare my outline. The more detailed my outline, the better. The outline should include major and minor turning points, and the critical conflicts. My next task was to complete detailed worksheets describing my characters. With that done, writing your novel is mere word play.